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nydus/The NecromancersPublic
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III

contemplated the future as it would be on the morrow⁠—Easter Day, was it not?⁠—the past, and scarcely at all the present. She relinquished all plans, all intentions and hopes: she leaned simply upon the supernatural, like a tired child, and looked at pictures.

In remembering it all afterwards, she recalled to herself the fact that this process of prayer seemed strangely tranquil; that there had been in her a consciousness of rest and recuperation as marked as that which a traveler feels who turns into a lighted house from a stormy night.

The presence of that other in the room was not even an interruption; the nervous force that the other had generated just now seemed harmless and ineffective.

For a time, at least, that was so. But there came a moment when it appeared as if her almost mechanical and rhythmical action of internal effort began to grip something. It was as when an engine after running free clenches itself again upon some wheel or cog.

The moment she was aware of this, she opened her eyes; and saw that the other was looking straight at her intently and questioningly.

And in that moment she perceived for the first time that her conflict lay, not externally, as she had thought, but in some interior region of which she was wholly ignorant. It was not by word or action, but by something else which she only half understood that she was to struggle.⁠ ⁠…

She closed her eyes again with quite a new kind of determination. It was not self-command that she needed, but a steady interior concentration of forces.

She began again that resolute wordless play of the will⁠—dismissing with a series of efforts the intellectual images of thought⁠—that play of the will which, it seemed, had affected the boy opposite in a new way. She had no

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