VI

Then those that read these sheets felt that they were getting their money’s worth. But the feeling was accentuated when one of the papers gratified them with a picture of a girl who they saw was an exceedingly fetching young woman and who they were informed had vanished from her residence, the Arundel, where she was known as Miss Leroy.

Her connection with Loftus, a connection which the neighborhood generally understood, was shown with reportorial ease. With the same ease it was established that he had been with her the evening preceding the night of his death. Bag and baggage the next morning she had flown.

That fact in itself was prodigiously interesting. A young and pretty assassin, what! It was quite like fiction. It was almost too good or too bad to be true. Besides, the picture displayed a girl not merely pretty but quasi-ideal, a face infinitely delicate, disdainful yet sad.

Orr saw the picture and saw too that, while perhaps rather flattering, it did not resemble Marie in the least. As a matter of fact it was an art editor’s fake. But that, of course, the public did not know and being fed on fakes would not have cared if it had known.

Then more mystery followed. What were her antecedents? Who were her people? Whence had she come? No one could say. What alone could be said was that a year previous Loftus had taken for her an apartment at the Arundel, where she had resided in a manner otherwise genteel, though with, latterly, but one servant, a negress named Blanche.

At the time the police were as much interested in the servant as the public in the girl. The latter in departing had had the forethought to leave the former behind, and, from her, information relevant and irrelevant was obtained.

To Mr. Peacock for instance, one of the district attorneys, Blanche related that at dinner her mistress liked sweetbreads and sorrel with, now and then, a chocolate souffle.