Loftus loathed it. Until he pursued the girl into its horrors never before had he been there. Nor, save for her, would he have returned. But return he did. For recompense he beheld her. She was strolling along, a roll of music under her arm, in the direction of Fifth Avenue.

It was there he attempted to accost her. Without deigning to seem even aware that he had presumed to do so, she passed on and, in passing, turned into Washington Square, where, ascending the steps of a house, she vanished. It was then three by the clock of a beautiful day in April.

Loftus was as well able as another to put two and two together. He knew that young girls do not stroll about with a music roll under their arm for the fun of it. A music roll predicates lessons, and there where lessons are must also be a teacher.

From that teacher he was unaware of any good and valid reason why he should not himself take lessons. But fate is not unrelenting. Of such toil he was spared. He spared himself too any further toil that day. He felt that he had done enough. He had quarried the girl again, stalked her to what was obviously a boardinghouse. He turned on his heel.

The next day he was back at that house, inquiring at the door. As a result he was shown into a shabby back parlor where he made the acquaintance of Mme. Machin, a tired old Frenchwoman, who, with rouge on her yellow cheeks, powder on her pointed nose, confided to him that she had been prima donna, though whether assoluta or dissoluta she omitted to state.

But her antecedents, her possibilities as well, Loftus divined at a glance and, while he was at it, divining too, that, personally, she was no better, and, financially, no better off than the law allows, asked point-blank