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CHAP: XVII. FOURTH HYMN AND THE BISHOP.

Morning Star, since men must give all things names. To pass in the quick of himself, with transfiguration, to the Morning Star, and there, there alone meet his fellow man.

He knew what it was to fail even now, and to keep on failing. With Carlota he failed absolutely. She claimed him and he restrained himself in resistance. Even his very naked breast, when Carlota was there, was self-conscious and assertively naked. But then that was because she claimed it as her property.

When men meet at the quick of all things, they are neither naked nor clothed; in the transfiguration they are just complete, they are not seen in part. The final perfect strength has also the power of innocence.

Sitting on the seat beside Kate, Ramón was sad with the sense of heaviness and inadequacy. His third Hymn was angry and bitter. Carlota almost embittered his soul. In Mexico, turbulent fellows had caught at his idea and burlesqued it. They had invaded one of the churches of the city, thrown out the sacred images, and hung in their place the grotesque papier-mâché Judas figures which the Mexicans explode at Easter time. This of course made a scandal. And Cipriano, whenever he was away on his own for some time, slipped back into the inevitable Mexican General, fascinated by the opportunity for furthering his own personal ambition and imposing his own personal will. Then came Kate, with this centre of sheer repudiation deep in the middle of her, the will to explode the world.

He felt his spirits sinking again, his limbs going like lead. There is only one thing that a man really wants to do, all his life; and that is, to find his way to his

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