as regards clothing and rations they treated him especially well. This, and the care devoted to the upkeep of churches, public monuments, and museums, are well-known facts, to which there has already been ample testimony.
The preservation of the old artistic community practically intact was the more remarkable in view of the pronounced sympathy of most of them with the old régime. The theory, however, was that art and politics belonged to two separate realms; but great honour would of course be the portion of those artists who would be inspired by the revolution.
Three years' experience, however, have proved the falsity of this doctrine and led to a divorce between art and popular feeling which a sensitive observer cannot fail to remark. It is glaringly apparent in the hitherto most vital of all Russian arts, the theatre. The artists have continued to perform the old classics in tragedy or comedy, and the old-style operette. The theatre programmes have remained the same for the last two years, and, but for the higher standard of artistic performance, might belong