Lillian and the Marselluses sailed for France early in May. The Professor, left alone, had plenty of time to spray his rose-vines, and his garden had never been so beautiful as it was that June. After his university duties were over, he smuggled his bed and clothing back to the old house and settled down to a leisurely bachelor life. He realized that he ought to be getting to work. The garden, in which he sat all day, was no longer a valid excuse to keep him from his study. But the task that awaited him up there was difficult. It was a little thing, but one of those little things at which the hand becomes self-conscious, feels itself stiff and clumsy.
It was his plan to give part of this summer to Tom Outland’s diary—to edit and annotate it for publication. The bother was that he must write an introduction. The diary covered only about six months of the boy’s life, a summer he spent on the Blue Mesa, and in it there was almost nothing about Tom himself. To mean anything, it must be prefaced by a sketch of Outland, and some account of his later life and achievements. To write of his scientific work would be comparatively easy. But that was not all the story; his was a many-sided mind, though a simple and straightforward personality.
Of course Mrs. St. Peter had insisted that he was not altogether straightforward; but that was merely because he was not altogether consistent. As an investigator he was clear-sighted and hardheaded; but in personal relations he was apt to be exaggerated and quixotic. He idealized the people he loved and paid his devoir to the ideal rather than to the individual, so that his behaviour was sometimes a little too exalted for the circumstances—“chivalry of the cinema,” Lillian used to say. One of his sentimental superstitions was that he must never on any account owe any material advantage to his friends, that he must keep affection and advancement far apart, as if they were chemicals that would