Stanley Hopkins led us first to the house, where he introduced us to a haggard, gray-haired woman, the widow of the murdered man, whose gaunt and deep-lined face, with the furtive look of terror in the depths of her red-rimmed eyes, told of the years of hardship and ill-usage which she had endured. With her was her daughter, a pale, fair-haired girl, whose eyes blazed defiantly at us as she told us that she was glad that her father was dead, and that she blessed the hand which had struck him down. It was a terrible household that Black Peter Carey had made for himself, and it was with a sense of relief that we found ourselves in the sunlight again and making our way along a path which had been worn across the fields by the feet of the dead man.

The outhouse was the simplest of dwellings, wooden-walled, shingle-roofed, one window beside the door and one on the farther side. Stanley Hopkins drew the key from his pocket and had stooped to the lock, when he paused with a look of attention and surprise upon his face.

“Someone has been tampering with it,” he said.