more degrading to the intelligence of the children, more corrupting of their instincts, more destructive of their organism than work in the vitiated atmosphere of the capitalist factory.

Our epoch has been called the century of work. It is in fact the century of pain, misery and corruption.

And all the while the philosophers, the bourgeois economists – from the painfully confused August Comte to the ludicrously clear Leroy Beaulieu; the people of bourgeois literature – from the quackishly romantic Victor Hugo to the artlessly grotesque Paul de Kock, – all have intoned nauseating songs in honor of the god Progress, the eldest son of Work. Listen to them and you would think that happiness was soon to reign over the earth, that its coming was already perceived. They rummaged in the dust of past centuries to bring back feudal miseries to serve as a somber contrast to the delights of the present times. Have they wearied us, these satisfied people, yesterday pensioners at the table of the nobility, today pen-valets of the capitalist class and fatly paid? Have they reckoned us weary of the peasant, such as La Bruyere described him? Well, here is the brilliant picture of proletarian delights in the year of capitalist progress 1840, Penned by one of their own men, Dr. Villermé, member of the Institute, the same who in 1848 was a member of that scientific society (Thiers, Cousin, Passy, Blanqui, the academician, were in it), which disseminated among the masses the nonsense of bourgeois economics and ethics.

It is of manufacturing Alsace that Dr. Villermé speaks, – the Alsace of Kestner and Dollfus, those flowers of industrial philanthropy and republicanism. But before the doctor raises up before us his picture of proletarian miseries, let us listen to an Alsatian manufacturer, Mr. Th. Mieg, of the house of Dollfus, Mieg & Co., depicting the condition of the old-time artisan: “At Mulhouse fifty years ago (in 1813, when modern mechanical industry was just arising) the laborers were all