This vocal organ was in itself a rich endowment; insomuch that a listener, comprehending nothing of the language in which the preacher spoke, might still have been swayed to and fro by the mere tone and cadence. Like all other music, it breathed passion and pathos, and emotions high or tender, in a tongue native to the human heart, wherever educated. Muffled as the sound was by its passage through the church-walls, Hester Prynne listened with such intentness, and sympathized so intimately, that the sermon had throughout a meaning for her, entirely apart from its indistinguishable words. These, perhaps, if more distinctly heard, might have been only a grosser medium, and have clogged the spiritual sense. Now she caught the low undertone, as of the wind sinking down to repose itself; then ascended with it, as it rose through progressive gradations of sweetness and power, until its volume seemed to envelop her with an atmosphere of awe and solemn grandeur. And yet, majestic as the voice sometimes became, there was forever in it an essential character of plaintiveness. A loud or low expression of anguish⁠—the whisper, or the shriek, as it might be conceived, of suffering humanity, that touched a sensibility in every bosom!

413