Kōkiden and the other great ladies were still relentless, and went about saying ‘it looked as though the Emperor would be no less foolishly obsessed by her memory than he had been by her person.’ He did indeed sometimes see Kōkiden’s son, the first-born prince. But this only made him long the more to see the dead lady’s child, and he was always sending trusted servants, such as his own old nurse, to report to him upon the boy’s progress. The time of the autumn equinox had come. Already the touch of the evening air was cold upon the skin. So many memories crowded upon him that he sent a girl, the daughter of his quiver-bearer, with a letter to the dead lady’s house. It was beautiful moonlit weather, and after he had despatched the messenger he lingered for a while gazing out into the night. It was at such times as this that he had been wont to call for music. He remembered how her words, lightly whispered, had blended with those strangely fashioned harmonies, remembered how all was strange, her face, her air, her form. He thought of the poem which says that ‘real things in the darkness seem no realer than dreams’ and he longed for even so dim a substance as the dream-life of those nights.
The messenger had reached the gates of the house. She pushed them back and a strange sight met her eyes. The old lady had for long been a widow and the whole charge of keeping the domain in repair had fallen upon her daughter. But since her death the mother, sunk in age and despair, had done nothing to the place, and everywhere the weeds grew high; and to all this desolation was added the wildness of the autumn gale. Great clumps of mugwort grew so thick that only the moonlight could penetrate them. The messenger alighted at the entrance of the house. At first the mother could find no words with which to greet her, but soon she said: ‘Alas, I have lingered too long in the world! I cannot bear to think that so fine a messenger as you have pressed your way through the dewy thickets that bar the road to my house,’ and she burst