CodalSearch this book — or all of Codal…⌘K
nydus/The Task of Social HygienePublic
Page 298 of 457
Table of Contents

THE PROBLEM OF AN INTERNATIONAL LANGUAGE

render it practically unnecessary for English-speakers (except the small class of students) to learn any other language, would be to confer an immense boon on the first group of peoples, doubling their mental and emotional capacity; it is to render the second group hidebound.

When we take a broad and impartial survey of the question we thus see that there is reason to believe that, while English is an admirable literary language (this is the ground that its eulogists always take), and sufficiently concise for commercial purposes, it is by no means an adequate international tongue, especially for purposes of oral speech, and, moreover, its exclusive use for this purpose would be a misfortune for the nations already using it, since they would be deprived of that mental flexibility and emotional sympathy which no discipline can give so well as knowledge of a living foreign tongue.

Many who realized these difficulties put forward French as the auxiliary international language. It is quite true that the power behind French is now relatively less than it was two centuries ago.

6 At that time France

by its relatively large population, the tradition of its military greatness, and its influential political position, was able to exert an immense influence; French was the language of intellect and society in Germany, in England, in Russia, everywhere in fact. During the eighteenth century internal maladministration, the cataclysm of the Revolution, and finally the fatal influence of Napoleon alienated foreign sympathy, and France lost her commanding position. Yet it was reasonably felt that, if a natural language is to be used for international purposes, after English there is no practicable alternative to French.

French is the language not indeed in any special sense of science or of commerce, but of the finest human culture. It is a well-organized tongue, capable of the finest shades of expression, and it is the key to a great

298