surface. They had not been used as sleds this winter, for the ice had not been sufficiently firm, the winter having been comparatively mild. But when the lake was well frozen, as is usual at this season in Peking, Their Majesties viewed the fireworks from these sleds as they skimmed along over its smooth surface. There was a sled for each of them—one for the Empress and second wife, and one for the Princesses. They were cloth-covered, lined with fur, and had great fur rugs. There were seats around the three sides; the wadded curtain, with its large square of plate-glass that hung down over the front, was taken off for the fireworks. Their Majesties occupied each of theirs alone, but the Empress had several of the Ladies in hers.
The fireworks were superb. There were beautiful set pieces, pagodas, with ladies on balconies, pavilions with grapevines, wistaria arbors, and beds of flowers so lifelike they seemed to grow at the side of the luminous cascades, and many other effects I had never seen before in fireworks. One day, during the time of the lantern festival, we had fireworks in the brilliant sunshine. When these day rockets exploded, all sorts of curious paper devices fell to the ground—fish dragons and animals, as well as flags and baskets. When anything interesting was revealed, Her Majesty would send the eunuchs to pick it up as it fell and bring it to her that she might examine it. Many fell outside the Palace walls, and she said these would give pleasure to the “poor people outside.”
Formerly, at these fireworks in the Palace to celebrate the lantern festival, the public was admitted into the Enclosure, but this practice stopped when the two Empresses were Co-Regents for the first boy Emperor, Tung-Chih. As this was coincident with the establishment of the first Foreign Legations in Peking, the latter fact may have had some influence in changing the custom. The Chinese people were shut out because it was feared that the foreigners might also come into the Precincts. These beautiful fireworks I could enjoy without any qualms of conscience, for I could not paint at night, and they were consequently no interruption to my work.