inflict upon any one who may read these sketches, a detailed description of any one of them. It is a thousand pities that, just at the time when the Italians and Spaniards were most zealous in church-building, so very questionable an architectural taste should have been prevalent.
The churches and convents in Mexico belong to that kind of renaissance style that began to flourish in southern Europe in the sixteenth century, and has held its ground there ever since. High façades abound, with pilasters crowned by elaborate Corinthian capitals, forming a curious contrast with the mean little buildings crouched behind the tall front. In the doors of the churches outside, and the chapels within, one is constantly coming upon that peculiar construction which consists of what would be an arch, resting on two pillars, were not the keystone wanting. Columns with shafts elaborately sculptured, and twisted marble pillars of the bed-post pattern, are to be seen by hundreds, very expensive in material and workmanship, but unfortunately very ugly; while the numbers of puffy cherubs, inside and out, remind the Englishman of the monuments of St. Paul’s.