Again, the conformity and purport of the names is frequently manifest and self-evident. Thus Metis, the wife of Jupiter, plainly signifies counsel; Typhon, swelling; Pan, universality; Nemesis, revenge, &c. Nor is it a wonder, if sometimes a piece of history or other things are introduced, by way of ornament; or, if the times of the action are confounded; or, if part of one fable be tacked to another; or, if the allegory be new turned; for all this must necessarily happen, as the fables were the inventions of men who lived in different ages, and had different views; some of them being ancient, others more modern; some having an eye to natural philosophy, and others to morality or civil policy.
It may pass for a further indication of a concealed and secret meaning, that some of these fables are so absurd and idle in their narration, as to show and proclaim an allegory, even afar off. A fable that carries probability with it may be supposed invented for pleasure, or in imitation of history; but those that could never be conceived or related in this way must surely have a different use.
For example, what a monstrous fiction is this, that Jupiter should take Metis to wife, and as soon as he found her pregnant eat her up, whereby he also conceived, and out of his head brought forth Pallas armed. Certainly no mortal could, but for the sake of the moral it couches, invent such an absurd dream as this, so much out of the road of thought!
But the argument of most weight with me is this, that many of these fables by no means appear to have been invented by the persons who relate and divulge them, whether Homer, Hesiod, or others; for if I were assured they first flowed from those later times and authors that transmit them to us, I should never expect any thing singularly great or noble from such an origin.