which he told the tale of his misfortune, and of the loves of the Emperor’s son and his wife all exactly as the ballad sings it.
The peasant stood amazed at hearing such nonsense, and relieving him of the visor, already battered to pieces by blows, he wiped his face, which was covered with dust, and as soon as he had done so he recognised him and said, “Señor Quixada” (for so he appears to have been called when he was in his senses and had not yet changed from a quiet country gentleman into a knight-errant), “who has brought your worship to this pass?” But to all questions the other only went on with his ballad.
Seeing this, the good man removed as well as he could his breastplate and backpiece to see if he had any wound, but he could perceive no blood nor any mark whatever.
He then contrived to raise him from the ground, and with no little difficulty hoisted him upon his ass, which seemed to him to be the easiest mount for him; and collecting the arms, even to the splinters of the lance, he tied them on Rocinante, and leading him by the bridle and the ass by the halter he took the road for the village, very sad to hear what absurd stuff Don Quixote was talking.
Nor was Don Quixote less so, for what with blows and bruises he could not sit upright on the ass, and from time to time he sent up sighs to heaven, so that once more he drove the peasant to ask what ailed him. And it could have been only the devil himself that put into his head tales to match his own adventures, for now, forgetting Baldwin, he bethought himself of the Moor Abindarráez, when the Alcaide of Antequera, Rodrigo de Narváez, took him prisoner and carried him away to his castle; so that when the peasant again asked him how he was and what ailed him, he gave him for reply the same words and phrases that the captive Abindarráez gave to Rodrigo de Narváez, just as he had read the story in the Diana of Jorge de Montemayor where it is written, applying