holding the lady in her arms, raising her eyes saw that he who likewise held her was her husband, Don Fernando. The instant she recognised him, with a prolonged plaintive cry drawn from the depths of her heart, she fell backwards fainting, and but for the barber being close by to catch her in his arms, she would have fallen completely to the ground. The curate at once hastened to uncover her face and throw water on it, and as he did so Don Fernando, for he it was who held the other in his arms, recognised her and stood as if death-stricken by the sight; not, however, relaxing his grasp of Luscinda, for it was she that was struggling to release herself from his hold, having recognised Cardenio by his voice, as he had recognised her. Cardenio also heard Dorothea’s cry as she fell fainting, and imagining that it came from his Luscinda burst forth in terror from the room, and the first thing he saw was Don Fernando with Luscinda in his arms. Don Fernando, too, knew Cardenio at once; and all three, Luscinda, Cardenio, and Dorothea, stood in silent amazement scarcely knowing what had happened to them.
They gazed at one another without speaking, Dorothea at Don Fernando, Don Fernando at Cardenio, Cardenio at Luscinda, and Luscinda at Cardenio. The first to break silence was Luscinda, who thus addressed Don Fernando: > “Leave me, Señor Don Fernando, for the sake of what you owe to yourself; if no other reason will induce you, leave me to cling to the wall of which I am the ivy, to the support from which neither your importunities, nor your threats, nor your promises, nor your gifts have been able to detach me. See how Heaven, by ways strange and