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A wealthy young woman decides to take on the role of patroness and matchmaker to a young protégé, with considerably less than successful results.

Page 237 of 546
Table of Contents

XXVI

whenever I meet you under those circumstances. Now you have nothing to try for. You are not afraid of being supposed ashamed. You are not striving to look taller than anybody else. Now I shall really be very happy to walk into the same room with you.”

“Nonsensical girl!” was his reply, but not at all in anger.

Emma had as much reason to be satisfied with the rest of the party as with Mr. Knightley. She was received with a cordial respect which could not but please, and given all the consequence she could wish for. When the Westons arrived, the kindest looks of love, the strongest of admiration were for her, from both husband and wife; the son approached her with a cheerful eagerness which marked her as his peculiar object, and at dinner she found him seated by her⁠—and, as she firmly believed, not without some dexterity on his side.

The party was rather large, as it included one other family, a proper unobjectionable country family, whom the Coles had the advantage of naming among their acquaintance, and the male part of Mr. Cox’s family, the lawyer of Highbury. The less worthy females were to come in the evening, with Miss Bates, Miss Fairfax, and Miss Smith; but already, at dinner, they were too numerous for any subject of conversation to be general; and, while politics and Mr. Elton were talked over, Emma could fairly surrender all her attention to the pleasantness of her neighbour. The first remote sound to which she felt herself obliged to attend, was the name of Jane Fairfax. Mrs. Cole seemed to be relating something of her that was expected to be very interesting. She listened, and found it well worth listening to. That very dear part of Emma, her fancy, received an amusing supply. Mrs. Cole was telling that she had been calling on Miss Bates, and as soon as she entered the room had been struck by the sight of a pianoforte⁠—a very elegant looking instrument⁠—not a grand, but a large-sized square pianoforte; and the substance of the story, the end of all the dialogue which ensued of surprise, and inquiry, and

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