“Why will not you write one yourself for us, Mr. Elton?” said she; “that is the only security for its freshness; and nothing could be easier to you.”
“Oh no! he had never written, hardly ever, anything of the kind in his life. The stupidest fellow! He was afraid not even Miss Woodhouse”—he stopped a moment—“or Miss Smith could inspire him.”
The very next day however produced some proof of inspiration. He called for a few moments, just to leave a piece of paper on the table containing, as he said, a charade, which a friend of his had addressed to a young lady, the object of his admiration, but which, from his manner, Emma was immediately convinced must be his own.
“I do not offer it for Miss Smith’s collection,” said he. “Being my friend’s, I have no right to expose it in any degree to the public eye, but perhaps you may not dislike looking at it.”
The speech was more to Emma than to Harriet, which Emma could understand. There was deep consciousness about him, and he found it easier to meet her eye than her friend’s. He was gone the next moment:—after another moment’s pause,
“Take it,” said Emma, smiling, and pushing the paper towards Harriet—“it is for you. Take your own.”
But Harriet was in a tremor, and could not touch it; and Emma, never loth to be first, was obliged to examine it herself.
Charade
She cast her eye over it, pondered, caught the meaning, read it through again to be quite certain, and quite mistress of the lines, and then passing it to Harriet, sat happily smiling, and saying to herself, while Harriet was puzzling over the paper in all the confusion of hope and dullness, “Very well, Mr. Elton, very well indeed. I have read worse charades. Courtship —a