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An orphan boy living in Victorian England begins his life in extreme poverty and goes on to experience good fortune, love, rejection, wealth, and social challenges as he grows into adulthood.

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I constantly expect to see him,” returned Herbert, “because I never hear him, without expecting him to come tumbling through the ceiling. But I don’t know how long the rafters may hold.”

When he had once more laughed heartily, he became meek again, and told me that the moment he began to realize Capital, it was his intention to marry this young lady. He added as a self-evident proposition, engendering low spirits, “But you can’t marry, you know, while you’re looking about you.”

As we contemplated the fire, and as I thought what a difficult vision to realize this same Capital sometimes was, I put my hands in my pockets. A folded piece of paper in one of them attracting my attention, I opened it and found it to be the playbill I had received from Joe, relative to the celebrated provincial amateur of Roscian renown. “And bless my heart,” I involuntarily added aloud, “it’s tonight!”

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