Had there been painters in those days capable to execute such a subject, the Jew, as he bent his withered form, and expanded his chilled and trembling hands over the fire, would have formed no bad emblematical personification of the Winter season. Having dispelled the cold, he turned eagerly to the smoking mess which was placed before him, and ate with a haste and an apparent relish, that seemed to betoken long abstinence from food.
Meanwhile the Abbot and Cedric continued their discourse upon hunting; the Lady Rowena seemed engaged in conversation with one of her attendant females; and the haughty Templar, whose eye wandered from the Jew to the Saxon beauty, revolved in his mind thoughts which appeared deeply to interest him.
“I marvel, worthy Cedric,” said the Abbot, as their discourse proceeded, “that, great as your predilection is for your own manly language, you do not receive the Norman-French into your favour, so far at least as the mystery of woodcraft and hunting is concerned. Surely no tongue is so rich in the various phrases which the field-sports demand, or furnishes means to the experienced woodman so well to express his jovial art.”
“Good Father Aymer,” said the Saxon, “be it known to you, I care not for those oversea refinements, without which I can well enough take my pleasure in the woods. I can wind my horn, though I call not the blast either a recheate or a morte—I can cheer my dogs on the prey, and I can flay and quarter the animal when it is brought down, without using the newfangled jargon of curee, arbor, nombles, and all the babble of the fabulous Sir Tristrem.”
“The French ,” said the Templar, raising his voice with the presumptuous and authoritative tone which he used upon all occasions, “is not only the natural language of the chase, but that of love and of war, in which ladies should be won and enemies defied.”