to turn the former to the advantage of the Messianic dreams.
Mrs. Pott, who in her Francis Bacon and his Secret Society sets out to prove that Bacon was the founder of Rosicrucianism and Freemasonry, ignores all the previous history of the secret tradition. Bacon was not the originator but the inheritor of the ideas on which both these societies were founded. And the further contention that Bacon was at the same time the author of the greatest dramas in the English language and of The Chymical Marriage of Christian Rosengreutz is manifestly absurd. Nevertheless, Bacon's influence amongst the Rosicrucians is apparent; Heydon's Voyage to the Land of the Rosicrucians is in fact a mere plagiarism of Bacon's New Atlantis.
Mrs. Pott seems to imagine that by proclaiming Bacon to have been the founder or even a member of the Order of Freemasonry she is revealing a great masonic secret which Freemasons have conspired to keep dark. But why should the Craft desire to disown so illustrious a progenitor or seek to conceal his connexion with the Order if any such existed? Findel, indeed, frankly admits that the New Atlantis contained unmistakable allusions to Freemasonry and that Bacon contributed to its final transformation. This was doubtless brought about largely by the English Rosicrucians who followed after. To suggest then that Freemasonry originated with the Rosicrucians is to ignore the previous history of the secret tradition. Rosicrucianism was not the beginning but a link in the long chain connecting Freemasonry with far earlier secret associations. The resemblance between