binding themselves together was to protect their lives against the Saracens by enveloping their sacred doctrines in a veil of mystery. For this purpose they made use of Jewish symbolism, which they invested with a Christian meaning. Thus the Temple of Solomon was used to denote the Church of Christ, the bough of acacia signified the Cross, the square and the compass the union between the Old and New Testaments, etc. So "the mysteries of Masonry were in their principle, and are still, nothing else than those of the Christian religion."
Baron Tschoudy, however, declares that all this stops short of the truth, that Freemasonry originated long before the Crusades in Palestine, and that the real "ancestors, fathers, authors of the Masons, those illustrious men of whom I will not say the date nor betray the secret," were a "disciplined body" whom Tschoudy describes by the name of "the Knights of the Aurora and Palestine." After "the almost total destruction of the Jewish people" these "Knights" had always hoped to regain possession of the domains of their fathers and to rebuild the Temple, and they carefully preserved their "regulations and particular liturgy," together with a "sublime treatise" which was the object of their continual study and of their philosophical speculations. Tschoudy further relates that they were students of the "occult sciences," of which alchemy formed a part, and that they had "abjured the principles of the Jewish religion in order to follow the lights of the Christian faith." At the time of the Crusades the Knights of