The Voice of the Dawn
Breathless but scathless, we emerge from the mazes of metaphysics and psychology where man and the soul are ever playing hide-and-seek; and where Khalid was pleased to display a little of his killing skill in fencing. To those mazes, we promise the Reader, we shall not return again. In our present sojourn, however, it is necessary to go through the swamps and Jordans as well as the mountains and plains. Otherwise, we would not have lingered a breathing while in the lowlands of mystery. But now we know how far Khalid went in seeking health, and how deep in seeking the Me, which he would disentangle from the meshes of philosophy and anchoritism, and bring back to life, triumphant, loving, joyous, free. And how far he succeeded in this, we shall soon know.
On the morning of his last day in the pines, meanwhile, we behold him in the chariot of Apollo serenading the stars. He no longer would thrust a poker down his windpipe; for he breathes as freely as the mountain bears and chirps as joyously as the swallows. And his lungs? The lungs of the pines are not as sound. And his eyes? Well, he can gaze at the rising sun without adverting the head or squinting or shedding a tear. Now, as a sign of this healthy state of body and mind, and his healthier resolve to return to the world, to live opposite his friend the Hermit on the other antipode of life, and furthermore, as a relief from the exhausting tortuosities of thought in the last Chapter, we give here a piece of description notably symbolical.
“I slept very early last night; the lights in the chapel of the abbey were still flickering, and the monks were chanting the complines. The mellow music of a drizzle seemed to respond sombrely to the melancholy echo of the choir. About midnight the rain beat heavily on the pine roof of the