“Ah me, I no longer know how to recline on a cushion, and a rug under my feet seems like a sheet of ice. But with my dust and mud I seem like Diogenes trampling upon Plato’s pride. I survey the hall, which breathes of rural culture and well-being, and in which is more evidence of what I foresaw. On the wall hung various photographs and oil prints, among which I noticed those of the King and Queen of England, that of Theodore Roosevelt, a framed cartoon by an American artist, an autographed copy of an English Duke’s, and a large photograph of a banquet of one of the political Clubs of New York. On the table were a few Arabic magazines, a postcard album, and a gramophone! Yes, mine host was more than once in the United States. And knowing that I, too, had been there, he is anxious to display somewhat of his broken English. His father, he tells me, speaks English even as good as he does, having been a dragoman for forty years.
“After supper, he orders me a narghile, and winds for my entertainment that horrible instrument of torture.” Khalid did not seem to mind it; but he was anxious about the sacred peace of the hills, sleeping in the bosom of night. “ My Name Is Billy Muggins ,” “ I Wish I Had a Pal Like You ,” “ Tickle Me, Timothy ,” and suchlike ragtime horrors come all the way from America to violate the antique grandeur and beauty of the Lebanon hills. That is what worried Khalid. And he excuses himself, saying, “I am waygone from the day’s wayfaring.” The instrument of torture is stopped, therefore, and he is shown into a room where a mattress is spread for him on the floor.
“In the morning,” he continues, “mine host accompanies me through the populous village, which is noted for its industries. Of all the Lebanon towns, this is, indeed, the busiest; its looms, its potteries, and its bell foundries, are never idle. And the people cultivate little of the silk worm; they are mostly artisans. American cotton they spin, and dye, and weave into substantial cloth; Belgian iron they melt and cast into bells; and from their native soil they dig the clay which they mould into