Virgin, his father turns him away from home. Complaining not, whimpering not, he goes. And hearing the bulbuls calling in the direction of Najma’s house that evening, he repairs thither. But the crabbed, cruel uncle turns him away also, and bolts the door. Whereupon Khalid, who was then in the first of his teens, takes a big scabrous rock and sends it flying against that door. The crabbed uncle rushes out, blustering, cursing; the nephew takes up another of those scabrous missiles and sends it whizzing across his shoulder. The second one brushes his ear. The third sends the blood from his temple. And this, while beating a retreat and cursing his father and his uncle and their ancestors back to fifty generations. He is now safe in the poplar grove, and his uncle gives up the charge. With a broken noddle he returns home, and Khalid with a broken heart wends his way to the Acropolis, the only shelter in sight. In relating this story, Shakib mentions “the horrible old moon, who was wickedly smiling over the town that night.” A broken icon, a broken door, a broken pate—a big price this, the crabbed uncle and the cruel father had to pay for thwarting the will of little Khalid. “But he entered the Acropolis a conqueror,” says
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