“One evening, when the last glimmer of hope passed away, I sat down and composed a threnody in his memory. And I sent it to one of the newspapers of Beirut, in the hope that Khalid, if he still lived, might chance to see it. It was published and quoted by other journals here and in Egypt, who, in their eulogies, spoke of Khalid as the young Baalbekian philosopher and poet. One of these newspapers, whose editor is a dear friend of mine, and of comely ancient virtue, did not mention, from a subtle sense of tender regard for my feelings, the fact that Khalid committed suicide. ‘He died,’ the Notice said, ‘of a sudden and violent defluxion of rheums, which baffled the physician and resisted his skill and physic.’ Another journal, whose editor’s religion is of the Jesuitical pattern, spoke of him as a miserable God-abandoned wretch who was not entitled to the right of Christian burial; and fulminated at its contemporaries for eulogising the youthful infidel and moaning his death, thus spreading and justifying his evil example.
“And so, the days passed, and the months, and Khalid was still dead. In the summer of this year, when the Constitution was proclaimed, and the country was rioting in the saturnalia of Freedom and Equality, my sorrow was keener, deeper than ever. Not I alone, but the cities and the deserts of Syria and Arabia, missed my loving friend. How gloriously he would have filled the tribune of the day, I sadly mused. … O Khalid, I can never forgive this crime of thine against the sacred rites of Friendship. Such heartlessness, such inexorable cruelty, I have never before observed in thee. No matter how much thou hast profited by thy retirement to the mountains, no matter how much thy solitude hath given thee of health and power and wisdom, thy cruel remissness can not altogether be drowned in my rejoicing. To forget those who love thee above everything else in the world—thy mother, thy cousin, thine affectionate brother—”
And our Scribe goes on, blubbering like a good Syrian his complaint and joy, gushing now in verse, now in what is worse, in rhymed prose, until he reaches the point which is to us of import. Khalid, in the winter of the