They ran: “Ye Verse from Liber-Damnatus be’g spoke V Roodmasses and IV Hallows-Eves, I am Hopeful ye Thing is breed’g Outside ye Spheres. It will drawe One who is to Come if I can make sure he shal bee, and he shall think on Past thinges and looke back thro’ all ye yeares, against ye which I must have ready ye Saltes or That to make ’em with.”

Willett saw no more, but somehow this small glimpse gave a new and vague terror to the painted features of Joseph Curwen which stared blandly down from the overmantel. Ever after that he entertained the odd fancy⁠—which his medical skill of course assured him was only a fancy⁠—that the eyes of the portrait had a sort of tendency to follow young Charles Ward as he moved about the room. He stopped before leaving to study the picture closely, marveling at its resemblance to Charles and memorizing every minute detail of the cryptical, colorless face, even down to a slight scar or pit in the smooth brow above the right eye.