particular period. For at last he concedes a vital change in Charles Dexter Ward’s mentality, and believes that the youth now spoke from a brain hopelessly alien to the brain whose growth he had watched for six and twenty years. Controversy with Dr. Lyman has compelled him to be very specific, and he definitely dates the madness of Charles Ward from the time the typewritten notes began to reach his parents. Those notes are not in Ward’s normal style; not even in the style of that last frantic letter to Willett. Instead, they are strange and archaic, as if the snapping of the writer’s mind had released a flood of tendencies and impressions picked up unconsciously through boyhood antiquarianism. There is an obvious effort to be modern, but the spirit and occasionally the language are those of the past.
The past, too, was evident in Ward’s every tone and gesture as he received the doctor in that shadowy bungalow. He bowed, motioned Willett to a seat, and began to speak abruptly in that strange whisper which he sought to explain at the very outset.
“I am grown phthisical,” he began, “from this cursed river air. You must excuse my speech. I suppose you are come from my father to see what ails me, and I hope you will say nothing to alarm him.”
Willett was studying these scraping tones with extreme care, but studying even more closely the face of the speaker. Something, he felt, was wrong; and he thought of what the family had told him about the fright of that Yorkshire butler one night. He wished it were not so dark, but did not request that any blind be opened. Instead, he merely asked Ward why he had so belied the frantic note of little more than a week before.
“I was coming to that,” the host replied. “You must know, I am in a very bad state of nerves, and do and say queer things I cannot account for. As I have told you often, I am on the edge of great matters; and the bigness