The salutation was so well understood that Morrel, with the same expression in his eyes, placed his handkerchief to his mouth; and these two living statues, whose hearts beat so violently under their marble aspect, separated from each other by the whole length of the room, forgot themselves for a moment, or rather forgot the world in their mutual contemplation.
They might have remained much longer lost in one another, without anyone noticing their abstraction. The Count of Monte Cristo had just entered.
We have already said that there was something in the count which attracted universal attention wherever he appeared.
It was not the coat, unexceptional in its cut, though simple and unornamented; it was not the plain white waistcoat; it was not the trousers, that displayed the foot so perfectly formed—it was none of these things that attracted the attention—it was his pale complexion, his waving black hair, his calm and serene expression, his dark and melancholy eye, his mouth, chiselled with such marvellous delicacy, which so easily expressed such high disdain—these were what fixed the attention of all upon him.
Many men might have been handsomer, but certainly there could be none whose appearance was more significant , if the expression may be used. Everything about the count seemed to have its meaning, for the constant habit of thought which he had acquired had given an ease and vigor to the expression of his face, and even to the most trifling gesture, scarcely to be understood. Yet the Parisian world is so strange, that even all this might not have won attention had there not been connected with it a mysterious story gilded by an immense fortune.
Meanwhile he advanced through the assemblage of guests under a battery of curious glances towards Madame de Morcerf, who, standing