by copying drawings from the hand of a good master. And having acquired that practice, under the criticism of his master, he should next practise drawing objects in relief of a good style, following the rules which will presently be given.
The study of the antique (486. 487).
486.
OF DRAWING.
Which is best, to draw from nature or from the antique? and which is more difficult to do outlines or light and shade?
487.
It is better to imitate [copy] the antique than modern work.
[Footnote 486, 487: These are the only two passages in which Leonardo alludes to the importance of antique art in the training of an artist. The question asked in No. 486 remains unanswered by him and it seems to me very doubtful whether the opinion stated in No. 487 is to be regarded as a reply to it. This