above the deep murmur of the men, the musical ripple of the women, the twitter of children. Rarely any quick movement; the slow promenade of men in sandals, the sandals, called huaraches, making a slight cockroach shuffle on the pavement. Sometimes, darting among the trees, bare-legged boys went sky-larking in and out of the shadow, in and out of the quiet people. They were the irrepressible boot-blacks, who swarm like tiresome flies in a barefooted country.
At the south end of the plaza, just across from the trees and cornerwise to the hotel, was a struggling attempt at an out-door café, with little tables and chairs on the pavement. Here, on week days, the few who dared flaunt their prestige would sit and drink a beer or a glass of tequila. They were mostly strangers. And the peons, sitting immobile on the seats in the background, looked on with basilisk eyes from under the great hats.
But on Saturdays and Sundays there was something of a show. Then the camions and motor-cars came in lurching and hissing. And, like strange birds alighting, you had slim and charming girls in organdie frocks and face powder and bobbed hair, fluttering into the plaza. There they strolled, arm in arm, brilliant in red organdie and blue chiffon and white muslin and pink and mauve and tangerine frail stuffs, their black hair bobbed out, their dark slim arms interlaced, their dark faces curiously macabre in the heavy make-up; approximating to white, but the white of a clown or a corpse.
In a world of big, handsome peon men, these flappers flapped with butterfly brightness and an incongruous shrillness, manless. The supply of fifis, the male young elegants who are supposed to equate the flappers, was small. But still, fifis there were, in white flannel trousers and white shoes, dark jackets, correct straw hats, and canes. Fifis far more ladylike than the reckless flappers; and far more nervous, wincing.