bars, brownish flames pushed up among the images, which at once went black. The little vestments of silk and satin withered in a moment to blackness, the caked wounds of paint bubbled black.
The young priest took off his linen vestment, his stole and his chasuble, and with flushed face flung them in the flame. Then he stripped off his black cassock, and emerged in the white cotton of the men of Quetzalcoatl, his white drawers rolled up to the knee. He threw his cassock in the fire. Someone handed him a big hat, and a white sarape with blue ends.
There was a smell of burning paint, and wool, and ocote. The fire rushed in a dusky mass upon the blackened, flickering images, till nothing was to be seen but a confused bush of smoke and brown-red flames, puthering, reeking, roaring. The flaming crucifix slipped aside, and fell. A man seized it and pushed it into the fire, under the images. Men in a sort of ecstasy threw on more of the heavy, resinous wood, that almost exploded into flame. Rocks cracked and exploded like guns. Everybody drew back from that roaring tree of flame, which rose ever higher and higher, its dark smoke and its sparks unfolding into heaven.
One of the supporting stones burst with a bang, bars of iron and blazing stumps of images tumbled in a confused roar. The glass case had disappeared, but ribbons of iron waved, then curled over red, into the torrent of the sudden fire. Strange rods of iron appeared out of nowhere, protruding from solid red coals.
And soon, all that was left was a fierce glow of red coals of wood, with a medley of half-fused iron.
Ramón stood aside and watched in silence, his dark brow quite expressionless.
Then,