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nydus/The Turn of the ScrewPublic
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XX

her relief at her exemption⁠—a sense, touching to me even then, that she would have backed me up if she could. I might well have needed that, for with this hard blow of the proof that her eyes were hopelessly sealed I felt my own situation horribly crumble, I felt⁠—I saw⁠—my livid predecessor press, from her position, on my defeat, and I was conscious, more than all, of what I should have from this instant to deal with in the astounding little attitude of Flora. Into this attitude Mrs. Grose immediately and violently entered, breaking, even while there pierced through my sense of ruin a prodigious private triumph, into breathless reassurance.

“She isn’t there, little lady, and nobody’s there⁠—and you never see nothing, my sweet! How can poor Miss Jessel⁠—when poor Miss Jessel’s dead and buried? We know, don’t we, love?”⁠—and she appealed, blundering in, to the child. “It’s all a mere mistake and a worry and a joke⁠—and we’ll go home as fast as we can!”

Our companion, on this, had responded with a strange, quick primness of propriety, and they were again, with Mrs. Grose on her feet, united, as it were, in pained opposition to me. Flora continued to fix me with her small mask of reprobation, and even at that minute I prayed God to forgive me for seeming to see that, as she stood there holding tight to our friend’s dress, her incomparable childish beauty had suddenly failed, had quite vanished. I’ve said it already⁠—she was literally, she was hideously, hard; she had turned common and almost ugly. “I don’t know what you mean. I see nobody. I see nothing. I never have . I think you’re cruel. I don’t like you!” Then, after this deliverance, which might have been that of a vulgarly pert little girl in the street, she hugged Mrs. Grose more closely and buried in her skirts the dreadful little face. In this position she produced an almost furious wail. “Take me away, take me away⁠—oh, take me away from her !”

“From me ?” I panted.

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