My Lady’s Lady
Thibault was delighted at seeing what had happened to the young Baron, whose hand, anything but light, had so shortly before made use of his whip on Thibault’s shoulders, which still smarted with the blow. The latter now ran at full speed to see how far Monsieur Raoul de Vauparfond was injured; he found a body lying insensible, stretched across the road, with the horse standing and snorting beside it.
But Thibault could hardly believe his senses on perceiving that the figure lying in the road was not the same as had, but five minutes previously, ridden past him and given him the lash with the whip. In the first place, this figure was not in the dress of a gentleman, but clothed like a peasant, and, what was more, the clothes he had on seemed to Thibault to be the same as he himself had been wearing only a moment before. His surprise increased more and more and amounted almost to stupefaction on further recognising, in the inert, unconscious figure, not only his own clothes, but his own face. His astonishment naturally led him to turn his eyes from this second Thibault to his own person, when he became aware that an equally remarkable change had come over his costume. Instead of shoes and gaiters, his legs were now encased in an elegant pair of hunting boots, reaching to the knee, as soft and smooth as a pair of silk stockings, with a roll over the instep, and finished off with a pair of fine silver spurs. The knee-breeches were no longer of corduroy, but of the most beautiful buckskin, fastened with little gold buckles. His long coarse olive-coloured coat was replaced by a handsome green hunting-coat, with gold lace facings, thrown open to display a waistcoat of fine white jean, while over the artistically pleated shirt hung the soft wavy folds of a cambric cravat. Not a single article of dress about him but