The programme that night was a series of “thrills” for at least one listener in the audience, and, as Anne assured Diana, every succeeding thrill was thrillier than the last. When Prissy Andrews, attired in a new pink silk waist with a string of pearls about her smooth white throat and real carnations in her hair⁠—rumour whispered that the master had sent all the way to town for them for her⁠—“climbed the slimy ladder, dark without one ray of light,” Anne shivered in luxurious sympathy; when the choir sang “Far Above the Gentle Daisies” Anne gazed at the ceiling as if it were frescoed with angels; when Sam Sloane proceeded to explain and illustrate “How Sockery Set a Hen” Anne laughed until people sitting near her laughed too, more out of sympathy with her than with amusement at a selection that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony’s oration over the dead body of Caesar in the most heart-stirring tones⁠—looking at Prissy Andrews at the end of every sentence⁠—Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way.

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