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An independent woman living in a London boarding house at the dawn of the twentieth century becomes involved with a fellow lodger from Russia.

Page 114 of 284
Table of Contents

III

“ I know, la reine, he knows, he’ll set it slower all right.”

This time the voice marched lugubriously forth, with a threatening emphasis on each word; the sustained notes blared wide through their mufflings; yawned out by an angry lion.

“My word ,” said Harriett, “it’s a funeral this time.”

“But it’s glorious ! Can you make it go as slowly as you like?”

“We’ll get it right presently, never fear.”

Miriam felt that no correct performance could be better than what she had heard, and listened carelessly to the beginning of the third performance. If it succeeded the blissful light flowing from the room out over her distant world must either be shattered by her tacit repudiation of the cheaply devised ditty, or treacherously preserved at the price of simulated satisfaction. The prelude sounded nearer this time, revealing a piano and an accompanist, and the song came steadily out, a pleasant kindly baritone, beating along on a middle key; a nice unimaginative brown-haired young man, who happened to have a voice. She ceased to attend; the bright breakfast-table, the cheerfully decorated square room bathed in the brilliant morning light that was flooding the upward slope of the town from the wide sky towering above the

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