CodalSearch this book — or all of Codal…⌘K
nydus/DeadlockPublic

An independent woman living in a London boarding house at the dawn of the twentieth century becomes involved with a fellow lodger from Russia.

Page 182 of 284
Table of Contents

VI

“You are right. I have known a group of poor Russian students translate a whole book in a single night. But you will not find cynical vulgarisation of literature anywhere but in England and America. It is indeed remarkable to the foreigner the way in this country the profession of letters has become a speculation. Never before I came here did I meet this idea of writing for a living, in this naive widespread form. There is something very bad in it.” Miriam surveyed the green vista, thinking guiltily of her envy and admiration of the many young men she had met at the Wilsons’ who were mysteriously “writing” or “going to write,” of her surprise and disappointment in meeting here and there things they had written⁠ ⁠… don’t, Miss Henderson.⁠ ⁠… don’t take up⁠ ⁠… a journalistic career on the strength of being able to write; as badly as Jenkins. Editors⁠—poor dears⁠—are beleaguered , by aspiring relatives. She thought out now, untrammelled by the distraction of listening to the way he formed his sentences, the meaning of these last words⁠ ⁠… it spread a chill over the wide stretch of sunlit grass; in the very moments that were passing, the writing world was going actively on, the clever people who had ideas and style and those others, determined, besieging, gradually making themselves into writers, indistinguishable by most readers, from the others, sharing, even during their dreadful beginnings, in the social distinctions and privileges of “writers,” and all of them, the clever ones and the others, quite untroubled by any sense of guilt, and making, when they were all together, a social atmosphere that was, in spite of its scepticism, and its scorn of everyday life, easier to breathe than any other. But being burdened with a hesitating sense of guilt, unable to be really interested in the things clever people wrote about, being beguiled by gross sentimentality because of its foreign dress and the fascination of transforming it, meant belonging outside the world of clever writers, tried in their balance and found wanting; and cut off from the world of innocent unconscious determined aspirants by a mysterious fear.

It was mean to sit waiting for life to throw up things that would distract one for a while from the sense of emptiness. Sitting moving

182