The condenser is set somewhat further from the illuminant than the principal focal length of the lenses, so that the rays falling on them are bent inwards, or to the slide.
The objective, or object lens, stands in front of the slide. Its position is adjustable by means of a rack and a draw-tube. The nearer it is brought to the slide the further away is the conjugate focus (see p. 239), and consequently the image. The exhibitor first sets up his screen and lantern, and then finds the conjugate foci of slide and image by racking the lens in or out.
If a very short focus objective be used, subjects of microscopic proportions can be projected on the screen enormously magnified. During the siege of Paris in 1870–71 the Parisians established a balloon and pigeon post to carry letters which had been copied in a minute size by photography. These copies could be enclosed in a quill and attached to a pigeon's wing. On receipt, the copies were placed in a special lantern and thrown as large writing on the screen. Micro-photography has since then made great strides, and is now widely used for scientific purposes, one of the most important being the study of the crystalline formations of metals under different conditions.
THE BIOSCOPE.
"Living pictures" are the most recent improvement in magic-lantern entertainments. The negatives from which the lantern films are printed are made by passing a ribbon of sensitized celluloid through a special form of camera, which feeds the ribbon past the lens in a series of jerks, an exposure being made automatically by a revolving shutter during each rest. The positive film is placed in a lantern, and the intermittent movement is repeated; but now the source of illumination is behind the film, and light passes outwards through the shutter to the screen. In the Urban bioscope the film travels at the rate of fifteen miles an hour, upwards of one hundred exposures being made every second.
The impression of continuous movement arises from the fact that the eye cannot get rid of a visual impression in less than one-tenth of a second. So that if a series of impressions follow one another more rapidly than the eye can rid itself of them the impressions will overlap, and give one of motion, if the position of some of the objects, or parts of the objects, varies slightly in each succeeding picture.25
THE PLANE MIRROR.