I collected old George, who very decently volunteered to stagger along with me, and we hopped into a taxi. We sat around at the police station for a bit on a wooden bench in a sort of anteroom, and presently a policeman appeared, leading in Cyril.
“Halloa! Halloa! Halloa!” I said. “What?”
My experience is that a fellow never really looks his best just after he’s come out of a cell. When I was up at Oxford, I used to have a regular job bailing out a pal of mine who never failed to get pinched every Boat-Race night, and he always looked like something that had been dug up by the roots. Cyril was in pretty much the same sort of shape. He had a black eye and a torn collar, and altogether was nothing to write home about—especially if one was writing to Aunt Agatha. He was a thin, tall chappie with a lot of light hair and pale-blue goggly eyes which made him look like one of the rarer kinds of fish.
“I got your message,” I said.
“Oh, are you Bertie Wooster?”
“Absolutely. And this is my pal George Caffyn. Writes plays and whatnot, don’t you know.”
We all shook hands, and the policeman, having retrieved a piece of chewing-gum from the underside of a chair, where he had parked it against a rainy day, went off into a corner and began to contemplate the infinite.
“This is a rotten country,” said Cyril.
“Oh, I don’t know,