It was only within the last few years that he adopted a plan of writing which he was convinced suited him best, and which is described in the 'Recollections;' namely, writing a rough copy straight off without the slightest attention to style. It was characteristic of him that he felt unable to write with sufficient want of care if he used his best paper, and thus it was that he wrote on the backs of old proofs or manuscript. The rough copy was then reconsidered, and a fair copy was made. For this purpose he had foolscap paper ruled at wide intervals, the lines being needed to prevent him writing so closely that correction became difficult. The fair copy was then corrected, and was recopied before being sent to the printers. The copying was done by Mr. E. Norman, who began this work many years ago when village schoolmaster at Down. My father became so used to Mr. Norman's hand-writing, that he could not correct manuscript, even when clearly written out by one of his children, until it had been recopied by Mr. Norman. The MS., on returning from Mr. Norman was once more corrected, and then sent off to the printers. Then came the work of revising and correcting the proofs, which my father found especially wearisome.
It was at this stage that he first seriously considered the style of what he had written. When this was going on he usually started some other piece of work as a relief. The correction of slips consisted in fact of two processes, for the corrections were first written in pencil, and then re-considered and written in ink.
When the book was passing through the "slip" stage he was glad to have corrections and suggestions from others. Thus my mother looked over the proofs of the 'Origin.' In some of the later works my sister, Mrs. Litchfield, did much of the correction. After my sister's marriage perhaps most of the work fell to my share.
My sister, Mrs. Litchfield, writes:—