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nydus/On Heroes, Hero-Worship, and the Heroic in HistoryPublic
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LECTURE V. THE HERO AS MAN OF LETTERS. JOHNSON, ROUSSEAU, BURNS.

all places and situations of the world, precisely the thing that was wanted. The fatal man, is he not always the unthinking man, the man who cannot think and see; but only grope, and hallucinate, and missee the nature of the thing he works with? He mis-sees it, mistakes it as we say; takes it for one thing, and it is another thing,—and leaves him standing like a Futility there! He is the fatal man; unutterably fatal, put in the high places of men.—"Why complain of this?" say some: "Strength is mournfully denied its arena; that was true from of old." Doubtless; and the worse for the arena, answer I! Complaining profits little; stating of the truth may profit. That a Europe, with its French Revolution just breaking out, finds no need of a Burns except for gauging beer,—is a thing I, for one, cannot rejoice at—!

Once more we have to say here, that the chief quality of Burns is the sincerity of him. So in his Poetry, so in his Life. The song he sings is not of fantasticalities; it is of a thing felt, really there; the prime merit of this, as of all in him, and of his Life generally, is truth. The Life of Burns is what we may call a great tragic sincerity. A sort of savage sincerity,—not cruel, far from that; but wild, wrestling naked with the truth of things. In that sense, there is something of the savage in all great men.

Hero-worship,—Odin, Burns? Well; these Men of Letters too were not without a kind of Hero-worship: but what a strange condition has that got into now! The waiters and ostlers of Scotch inns, prying about the door, eager to catch any word that fell from Burns, were doing unconscious reverence to the Heroic. Johnson had his Boswell for worshipper. Rousseau had worshippers enough; princes calling on him in his mean garret; the great, the beautiful doing reverence to the poor moon-struck man. For himself a most portentous contradiction; the two ends of his life not to be brought into harmony. He sits at the tables of grandees; and has to copy music for his own living. He cannot even get his music copied: "By dint of dining out," says he, "I run the risk of dying by starvation at home." For his worshippers too a most questionable

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