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CHAPTER XXVIII. Defence of a Theatre of War—( continued )

  1. To operate against his communications.
  1. By a counter attack on his theatre of war, to do exactly what the enemy has done in passing by us.

We introduce this last measure, because it is possible to imagine a case in which it may be efficacious; but as it is in contradiction to the object of the defence, that is, the grounds on which that form has been chosen, therefore it can only be regarded as an abnormity, which can only take place because the enemy has made some great mistake, or because there are other special features in a particular case.

Operating against the enemy’s communications implies that our own are superior, which is also one of the fundamental requisites of a good defensive position. But although on that ground this action may promise the defender a certain amount of advantage, still, in the defence of a theatre of war, it is seldom an operation suited to lead to a decision , which we have supposed to be the object of the

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