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CHAPTER VI. A. Influence of the Political Object on the Military Object

reckoning that in place of being slightly superior to the enemy, as he supposed, he is, if anything, rather weaker, still, at that moment, money and all other means, as well as sufficient moral impulse for greater exertions are very often deficient: in such a case he just does what is called “the best he can;” hopes better things in the future, although he has not the slightest foundation for such hope, and the war, in the mean time drags itself feebly along, like a body worn out with sickness.

Thus it comes to pass that the reciprocal action, the rivalry, the violence and impetuosity of war lose themselves in the stagnation of weak motives, and that both parties move with a certain kind of security in very circumscribed spheres.

If this influence of the political object is once permitted, as it then must be, there is no longer any limit, and we must be pleased to come down to such warfare as consists in a mere threatening of the enemy and in negotiating.

That the theory of war, if it is to be and to continue a philosophical study, finds itself here in a difficulty is clear. All that is essentially inherent in the conception of war seems to fly from it, and it is in danger of being left without any point of support. But the natural outlet soon shows itself. According as a modifying principle gains influence over the act of war, or rather, the weaker the motives to action become, the more the action will glide into a passive resistance, the less eventful it will become, and the less it will require guiding principles. All military art then changes itself into mere prudence, the principal object of which will be to prevent the trembling balance from suddenly turning to our disadvantage, and the half war from changing into a complete one.

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