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A young Florentine woman’s life is buffeted by betrayal in love and upheaval in religion.

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VII

soldier-poet Marullo, were seated on one side of him: on the other, two friends not oppressively illustrious, and therefore the better listeners. Yet, to say nothing of the gout, Messer Bartolommeo’s felicity was far from perfect: it was embittered by the contents of certain papers that lay before him, consisting chiefly of a correspondence between himself and Politian. It was a human foible at that period (incredible as it may seem) to recite quarrels, and favour scholarly visitors with the communication of an entire and lengthy correspondence; and this was neither the first nor the second time that Scala had asked the candid opinion of his friends as to the balance of right and wrong in some half-score Latin letters between himself and Politian, all springing out of certain epigrams written in the most playful tone in the world. It was the story of a very typical and pretty quarrel, in which we are interested, because it supplied precisely that thistle of hatred necessary, according to Nello, as a stimulus to the sluggish paces of the cautious steed, Friendship. Politian, having been a rejected pretender to the love and the hand of Scala’s daughter, kept a very sharp and learned tooth in readiness against the too prosperous and presumptuous secretary, who had declined the greatest scholar of the age for a son-in-law. Scala was a meritorious public servant, and, moreover, a lucky man⁠—naturally exasperating to an offended scholar; but then⁠—O beautiful balance of things!⁠—he had an itch for authorship, and was a bad writer⁠—one of those excellent people who, sitting in gouty slippers, “penned poetical trifles” entirely for their own amusement, without any view to an audience, and, consequently, sent them to their friends in letters, which were the literary periodicals of the fifteenth century. Now Scala had abundance of friends who were ready to praise his writings: friends like Ficino and Landino⁠—amiable browsers in the Medicean park along with himself⁠—who found his Latin prose style elegant and masculine; and the terrible Joseph Scaliger, who was to pronounce him totally ignorant of Latinity, was at a comfortable distance in the next century. But when was the fatal coquetry inherent in superfluous authorship ever quite contented with the ready praise of

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