Monna Brigida’s Conversion
When Romola said that someone else expected her, she meant her cousin Brigida, but she was far from suspecting how much that good kinswoman was in need of her. Returning together towards the Piazza, they had descried the company of youths coming to a stand before Tessa, and when Romola, having approached near enough to see the simple little contadina ’s distress, said, “Wait for me a moment, cousin,” Monna Brigida said hastily, “Ah, I will not go on: come for me to Boni’s shop—I shall go back there.”
The truth was, Monna Brigida had a consciousness on the one hand of certain “vanities” carried on her person, and on the other of a growing alarm lest the Piagnoni should be right in holding that rouge, and false hair, and pearl embroidery, endamaged the soul. Their serious view of things filled the air like an odour; nothing seemed to have exactly the same flavour as it used to have; and there was the dear child Romola, in her youth and beauty, leading a life that was uncomfortably suggestive of rigorous demands on woman. A widow at fifty-five whose satisfaction has been largely drawn from what she thinks of her own person, and what she believes others think of it, requires a great fund of imagination to keep her spirits buoyant. And Monna Brigida had begun to have frequent struggles at her toilet. If her soul would prosper better without them, was it really worth while to put on the rouge and the braids? But when she lifted up the hand-mirror and saw a sallow face with baggy cheeks, and crows’-feet that were not to be dissimulated by any simpering of the lips—when she parted her grey hair, and let it lie in simple Piagnone fashion round her face, her courage failed. Monna Berta would certainly burst out laughing at her, and call her an old hag, and as Monna Berta was really only fifty-two, she had a superiority which would make