The Prophet in His Cell
Tito’s visit to San Marco had been announced beforehand, and he was at once conducted by Fra Niccolò, Savonarola’s secretary, up the spiral staircase into the long corridors lined with cells—corridors where Fra Angelico’s frescoes, delicate as the rainbow on the melting cloud, startled the unaccustomed eye here and there, as if they had been sudden reflections cast from an ethereal world, where the Madonna sat crowned in her radiant glory, and the Divine infant looked forth with perpetual promise.
It was an hour of relaxation in the monastery, and most of the cells were empty. The light through the narrow windows looked in on nothing but bare walls, and the hard pallet and the crucifix. And even behind that door at the end of a long corridor, in the inner cell opening from an antechamber where the Prior usually sat at his desk or received private visitors, the high jet of light fell on only one more object that looked quite as common a monastic sight as the bare walls and hard pallet. It was but the back of a figure in the long white Dominican tunic and scapulary, kneeling with bowed head before a crucifix. It might have been any ordinary Fra Girolamo, who had nothing worse to confess than thinking of wrong things when he was singing in coro , or feeling a spiteful joy when Fra Benedetto dropped the ink over his own miniatures in the breviary he was illuminating—who had no higher thought than that of climbing safely into Paradise up the narrow ladder of prayer, fasting, and obedience. But under this particular white tunic there was a heart beating with a consciousness inconceivable to the average monk, and perhaps hard to be conceived by any man who has not arrived at self-knowledge through a tumultuous inner life: a consciousness in which irrevocable errors and lapses from veracity were so entwined with noble