kneeling with her back against the wall, behind a group of peasant-women, who were standing and looking for a spot nearer to the sacred image. Her head hung a little aside with a look of weariness, and her blue eyes were directed rather absently towards an altarpiece where the Archangel Michael stood in his armour, with young face and floating hair, amongst bearded and tonsured saints. Her right-hand, holding a bunch of cocoons, fell by her side listlessly, and her round cheek was paled, either by the light or by the weariness that was expressed in her attitude: her lips were pressed poutingly together, and every now and then her eyelids half fell: she was a large image of a sweet sleepy child. Tito felt an irresistible desire to go up to her and get her pretty trusting looks and prattle: this creature who was without moral judgment that could condemn him, whose little loving ignorant soul made a world apart, where he might feel in freedom from suspicions and exacting demands, had a new attraction for him now. She seemed a refuge from the threatened isolation that would come with disgrace. He glanced cautiously round, to assure himself that Monna Ghita was not near, and then, slipping quietly to her side, kneeled on one knee, and said, in the softest voice, “Tessa!”
She hardly started, any more than she would have started at a soft breeze that fanned her gently when she was needing it. She turned her head and saw Tito’s face close to her: it was very much more beautiful than the Archangel Michael’s, who was so mighty and so good that he lived with the Madonna and all the saints and was prayed to along with them. She smiled in happy silence, for that nearness of Tito quite filled her mind.
“My little Tessa! you look very tired. How long have you been kneeling here?”
She seemed to be collecting her thoughts for a minute or two, and at last she said—
“I’m very hungry.”