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A young Florentine woman’s life is buffeted by betrayal in love and upheaval in religion.

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LXI

Drifting Away

On the eighth day from that memorable night Romola was standing on the brink of the Mediterranean, watching the gentle summer pulse of the sea just above what was then the little fishing village of Viareggio.

Again she had fled from Florence, and this time no arresting voice had called her back. Again she wore the grey religious dress; and this time, in her heartsickness, she did not care that it was a disguise. A new rebellion had risen within her, a new despair. Why should she care about wearing one badge more than another, or about being called by her own name? She despaired of finding any consistent duty belonging to that name. What force was there to create for her that supremely hallowed motive which men call duty, but which can have no inward constraining existence save through some form of believing love?

The bonds of all strong affection were snapped. In her marriage, the highest bond of all, she had ceased to see the mystic union which is its own guarantee of indissolubleness, had ceased even to see the obligation of a voluntary pledge: had she not proved that the things to which she had pledged herself were impossible? The impulse to set herself free had risen again with overmastering force; yet the freedom could only be an exchange of calamity. There is no compensation for the woman who feels that the chief relation of her life has been no more than a mistake. She has lost her crown. The deepest secret of human blessedness has half whispered itself to her, and then forever passed her by.

And now Romola’s best support under that supreme woman’s sorrow had slipped away from her. The vision of any great purpose, any end of existence which could ennoble endurance and exalt the common deeds

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