“But if you knew,” said Romola, clasping her hands and pressing them tight, as she looked pleadingly at Fra Girolamo; “if you knew what it was to me—how impossible it seemed to me to bear it.”
“My daughter,” he said, pointing to the cord round Romola’s neck, “you carry something within your mantle; draw it forth, and look at it.”
Romola gave a slight start, but her impulse now was to do just what Savonarola told her. Her self-doubt was grappled by a stronger will and a stronger conviction than her own. She drew forth the crucifix. Still pointing towards it, he said—
“There, my daughter, is the image of a Supreme Offering, made by Supreme Love, because the need of man was great.”
He paused, and she held the crucifix trembling—trembling under a sudden impression of the wide distance between her present and her past self. What a length of road she had travelled through since she first took that crucifix from the Frate’s hands! Had life as many secrets before her still as it had for her then, in her young blindness? It was a thought that helped all other subduing influences; and at the sound of Fra Girolamo’s voice again, Romola, with a quick involuntary movement, pressed the crucifix against her mantle and looked at him with more submission than before.
“Conform your life to that image, my daughter; make your sorrow an offering: and when the fire of Divine charity burns within you, and you behold the need of your fellow-men by the light of that flame, you will not call your offering great. You have carried yourself proudly, as one who held herself not of common blood or of common thoughts; but you have been as one unborn to the true life of man. What! you say your love for your father no longer tells you to stay in Florence? Then, since that tie is snapped, you are without a law, without religion: you are no better than a beast of the field when she is robbed of her young. If the yearning