a genuine, natural guise, strangely contrasted with all memories of her. She took the black drapery from her own head, and threw it over Monna Brigida’s. > “There,” she went on soothingly, “no one will remark you now. We will turn down the Via del Palagio and go straight to our
They hastened away, Monna Brigida grasping Romola’s hand tightly, as if to get a stronger assurance of her being actually there.
“Ah, my Romola, my dear child!” said the short fat woman, hurrying with frequent steps to keep pace with the majestic young figure beside her; “what an old scarecrow I am! I must be good—I mean to be good!”
“Yes, yes; buy a cross!” said the guttural voice, while the rough hand was thrust once more before Monna Brigida: for Bratti was not to be abashed by Romola’s presence into renouncing a probable customer, and had quietly followed up their retreat. “Only four quattrini , blessing and all—and if there was any profit, it would all go to the poor.”
Monna Brigida would have been compelled to pause, even if she had been in a less submissive mood. She put up one hand deprecatingly to arrest Romola’s remonstrance, and with the other reached out a grosso, worth many white quattrini , saying, in an entreating tone—
“Take it, good man, and begone.”
“You’re in the right, madonna,” said Bratti, taking the coin quickly, and thrusting the cross into her hand; “I’ll not offer you change, for I might as well rob you of a mass. What! we must all be scorched a little, but you’ll come off the easier; better fall from the window than the roof. A good Easter and a good year to you!”